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THE CALIFORNIA CAMERA CLUB: COLLECTIVE VISIONS IN THE MAKING OF THE AMERICAN WEST

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THE CALIFORNIA CAMERA CLUB: COLLECTIVE VISIONS IN THE MAKING OF THE AMERICAN WEST

With some 400 members, the California Camera Club was the largest photography network in the United States in the early twentieth century. In The California Camera Club, Carolin Görgen recaptures the lost history of this community—and reveals its critical but little-known role in defining the popular image of California, and the American West generally, for posterity.

 At a time when hand-held cameras were multiplying, and San Francisco was becoming the main venue for aspiring Western photographers, the unknown but committed practitioners of the California Camera Club collectively pictured California as the dominant symbol of the American West.

Detached from the cultural hubs of the East Coast, club members were instead closely tied to an influential circle of western artists, entrepreneurs, politicians, and environmentalists, all of whom were determined to promote California through the increasingly accessible medium of photography.
Members deployed new technology and worked outdoors, producing an unprecedented number of images—in prints, exhibitions, magazines, and lantern slides—that would forever inform our understanding of California photography as an outdoor practice rooted in the western environment.
Author Carolin Görgen begins her account with the first photo exhibitions of the 1880s and the formation of a vibrant network of photo excursionists. She then explores how the club survived the 1906 San Francisco earthquake and fire to become a crucial source of support for a new generation of photographers, who were well known by the time of the Panama-Pacific International Exposition in 1915.
  • 312 pages
  • Hardcover

With some 400 members, the California Camera Club was the largest photography network in the United States in the early twentieth century. In The California Camera Club, Carolin Görgen recaptures the lost history of this community—and reveals its critical but little-known role in defining the popular image of California, and the American West generally, for posterity.

 At a time when hand-held cameras were multiplying, and San Francisco was becoming the main venue for aspiring Western photographers, the unknown but committed practitioners of the California Camera Club collectively pictured California as the dominant symbol of the American West.

Detached from the cultural hubs of the East Coast, club members were instead closely tied to an influential circle of western artists, entrepreneurs, politicians, and environmentalists, all of whom were determined to promote California through the increasingly accessible medium of photography.
Members deployed new technology and worked outdoors, producing an unprecedented number of images—in prints, exhibitions, magazines, and lantern slides—that would forever inform our understanding of California photography as an outdoor practice rooted in the western environment.
Author Carolin Görgen begins her account with the first photo exhibitions of the 1880s and the formation of a vibrant network of photo excursionists. She then explores how the club survived the 1906 San Francisco earthquake and fire to become a crucial source of support for a new generation of photographers, who were well known by the time of the Panama-Pacific International Exposition in 1915.
  • 312 pages
  • Hardcover
$22.75

Original: $65.00

-65%
THE CALIFORNIA CAMERA CLUB: COLLECTIVE VISIONS IN THE MAKING OF THE AMERICAN WEST—

$65.00

$22.75

Description

With some 400 members, the California Camera Club was the largest photography network in the United States in the early twentieth century. In The California Camera Club, Carolin Görgen recaptures the lost history of this community—and reveals its critical but little-known role in defining the popular image of California, and the American West generally, for posterity.

 At a time when hand-held cameras were multiplying, and San Francisco was becoming the main venue for aspiring Western photographers, the unknown but committed practitioners of the California Camera Club collectively pictured California as the dominant symbol of the American West.

Detached from the cultural hubs of the East Coast, club members were instead closely tied to an influential circle of western artists, entrepreneurs, politicians, and environmentalists, all of whom were determined to promote California through the increasingly accessible medium of photography.
Members deployed new technology and worked outdoors, producing an unprecedented number of images—in prints, exhibitions, magazines, and lantern slides—that would forever inform our understanding of California photography as an outdoor practice rooted in the western environment.
Author Carolin Görgen begins her account with the first photo exhibitions of the 1880s and the formation of a vibrant network of photo excursionists. She then explores how the club survived the 1906 San Francisco earthquake and fire to become a crucial source of support for a new generation of photographers, who were well known by the time of the Panama-Pacific International Exposition in 1915.
  • 312 pages
  • Hardcover
THE CALIFORNIA CAMERA CLUB: COLLECTIVE VISIONS IN THE MAKING OF THE AMERICAN WEST | The Huntington Store