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GLORIOUS COUNTRY: HOW THE ARTIST FREDERIC CHURCH BROUGHT THE WORLD TO AMERICA AND AMERICA TO THE WORLD

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GLORIOUS COUNTRY: HOW THE ARTIST FREDERIC CHURCH BROUGHT THE WORLD TO AMERICA AND AMERICA TO THE WORLD

From the author of American Eden—finalist for the Pulitzer Prize, the National Book Award, and more—comes a sweeping, richly researched biography of Frederic Church, the great 19th-century American artist whose stunning paintings of remote lands and seas thrilled American audiences and put the young republic on the map of world culture—published on Church’s bicentennial.

“They came to see the world.”

New York, spring 1859. Outside Frederic Church’s Tenth Street studio, men and women amassed by the thousands hoping for a glimpse of his magnificent Heart of the Andes: a painting whose sublime, ‘near supernatural’ rendering of the vast Andean landscape encountered on the artist’s recent travels introduced thousands of Americans to the fierce, majestic beauty of the far-flung wildernesses of the globe.

Frederic Church brought the world to America, and America into the world.

Cementing the United States as a cultural and artistic force a full century before America’s Abstract Impressionists rose to prominence, Church’s bold paintings composed odes in color, shadow, and light to natural places near and far: the lush jungles of South America and immense icebergs of Newfoundland where he journeyed as a young man; the Syrian deserts and ancient, ruined cities where he and his wife traveled following the devastating loss of their two young children; the verdant, luminous valley around the Hudson where Church first studied painting and where he returned and established his estate, Olana, whose landscape itself became a work of art.
Deeply influenced by the work of Alexander von Humboldt, Church conjured a vision of the natural world as a place of communion with creation.
  • 448 pages
  • Hardcover

From the author of American Eden—finalist for the Pulitzer Prize, the National Book Award, and more—comes a sweeping, richly researched biography of Frederic Church, the great 19th-century American artist whose stunning paintings of remote lands and seas thrilled American audiences and put the young republic on the map of world culture—published on Church’s bicentennial.

“They came to see the world.”

New York, spring 1859. Outside Frederic Church’s Tenth Street studio, men and women amassed by the thousands hoping for a glimpse of his magnificent Heart of the Andes: a painting whose sublime, ‘near supernatural’ rendering of the vast Andean landscape encountered on the artist’s recent travels introduced thousands of Americans to the fierce, majestic beauty of the far-flung wildernesses of the globe.

Frederic Church brought the world to America, and America into the world.

Cementing the United States as a cultural and artistic force a full century before America’s Abstract Impressionists rose to prominence, Church’s bold paintings composed odes in color, shadow, and light to natural places near and far: the lush jungles of South America and immense icebergs of Newfoundland where he journeyed as a young man; the Syrian deserts and ancient, ruined cities where he and his wife traveled following the devastating loss of their two young children; the verdant, luminous valley around the Hudson where Church first studied painting and where he returned and established his estate, Olana, whose landscape itself became a work of art.
Deeply influenced by the work of Alexander von Humboldt, Church conjured a vision of the natural world as a place of communion with creation.
  • 448 pages
  • Hardcover
$35.00
GLORIOUS COUNTRY: HOW THE ARTIST FREDERIC CHURCH BROUGHT THE WORLD TO AMERICA AND AMERICA TO THE WORLD—
$35.00

Description

From the author of American Eden—finalist for the Pulitzer Prize, the National Book Award, and more—comes a sweeping, richly researched biography of Frederic Church, the great 19th-century American artist whose stunning paintings of remote lands and seas thrilled American audiences and put the young republic on the map of world culture—published on Church’s bicentennial.

“They came to see the world.”

New York, spring 1859. Outside Frederic Church’s Tenth Street studio, men and women amassed by the thousands hoping for a glimpse of his magnificent Heart of the Andes: a painting whose sublime, ‘near supernatural’ rendering of the vast Andean landscape encountered on the artist’s recent travels introduced thousands of Americans to the fierce, majestic beauty of the far-flung wildernesses of the globe.

Frederic Church brought the world to America, and America into the world.

Cementing the United States as a cultural and artistic force a full century before America’s Abstract Impressionists rose to prominence, Church’s bold paintings composed odes in color, shadow, and light to natural places near and far: the lush jungles of South America and immense icebergs of Newfoundland where he journeyed as a young man; the Syrian deserts and ancient, ruined cities where he and his wife traveled following the devastating loss of their two young children; the verdant, luminous valley around the Hudson where Church first studied painting and where he returned and established his estate, Olana, whose landscape itself became a work of art.
Deeply influenced by the work of Alexander von Humboldt, Church conjured a vision of the natural world as a place of communion with creation.
  • 448 pages
  • Hardcover
GLORIOUS COUNTRY: HOW THE ARTIST FREDERIC CHURCH BROUGHT THE WORLD TO AMERICA AND AMERICA TO THE WORLD | The Huntington Store