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DOYLE LANE: WEED POTS

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DOYLE LANE: WEED POTS

Doyle Lane: Weed Pots, is an important new catalogue published on occasion of the eponymous exhibition curated by Ricky Swallow at David Kordansky Gallery, Los Angeles, on view July 22 – August 29, 2020. The exhibition and corresponding publication highlight Lane's iconic ceramic Weed Pots, a form that the artist returned to time and again over the course of two decades.

The catalogue opens with an essay by Swallow that underscores the significance of this form to Lane’s practice and career, followed by text by ceramicist Lee Whitten in response to production images of Lane in his El Sereno studio by photographer Ben Serar and a conversation between Dale Brockman Davis and Stanley C. Wilson on their relationship and exhibition history with the late artist.
  • 176 pages
  • Softcover

Doyle Lane: Weed Pots, is an important new catalogue published on occasion of the eponymous exhibition curated by Ricky Swallow at David Kordansky Gallery, Los Angeles, on view July 22 – August 29, 2020. The exhibition and corresponding publication highlight Lane's iconic ceramic Weed Pots, a form that the artist returned to time and again over the course of two decades.

The catalogue opens with an essay by Swallow that underscores the significance of this form to Lane’s practice and career, followed by text by ceramicist Lee Whitten in response to production images of Lane in his El Sereno studio by photographer Ben Serar and a conversation between Dale Brockman Davis and Stanley C. Wilson on their relationship and exhibition history with the late artist.
  • 176 pages
  • Softcover
$21.00

Original: $60.00

-65%
DOYLE LANE: WEED POTS—

$60.00

$21.00

Description

Doyle Lane: Weed Pots, is an important new catalogue published on occasion of the eponymous exhibition curated by Ricky Swallow at David Kordansky Gallery, Los Angeles, on view July 22 – August 29, 2020. The exhibition and corresponding publication highlight Lane's iconic ceramic Weed Pots, a form that the artist returned to time and again over the course of two decades.

The catalogue opens with an essay by Swallow that underscores the significance of this form to Lane’s practice and career, followed by text by ceramicist Lee Whitten in response to production images of Lane in his El Sereno studio by photographer Ben Serar and a conversation between Dale Brockman Davis and Stanley C. Wilson on their relationship and exhibition history with the late artist.
  • 176 pages
  • Softcover

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